Oriental Art

This was a significant period for the art of Japan, marked by the transition to new forms of art and, most all, the extension of the ideological sphere of their creativity for Japanese artists. The poetry of thinking is vividly manifested in the works presented, expressing concepts about nature and the world. The cult of nature, which was distinctive of the artist’s mentality, developed its own nuances in Japan. Artists strive for a more open and direct perception of the world and move from linear (flat) images closed by smooth contours to a freer manner, resorting to chiaroscuro effects.  At the same time, following the fascination with Western arts, there arose a movement to maintain traditional painting by establishing a more modern Japanese style, which is called nihonga.

Japan was known for its ornate art objects imported during the late 19th and early 20th centuries. The vase on display in the gallery illustrates the fusion of different cultures and artistic styles. The themes found in traditional Japanese ornamental artworks reflect the reverence for nature in their spiritual culture. This is a result of a distinct mentality that has been established early on in Japanese history.

In addition to the rich artistic traditions of Japan, the gallery of Oriental Art also showcases remarkable examples of Middle Eastern ceramics and Chinese papier-mâché art. These artistic forms contribute to the diverse tapestry of creative expression found within the exhibition.

Middle Eastern ceramics hold a prominent place in the art world, renowned for their intricate designs and exquisite craftsmanship. With a history spanning thousands of years, ceramics from the Middle East have evolved through various cultural influences, resulting in a distinct fusion of styles. From the vibrant blues and greens of Persian pottery to the intricate geometric patterns of Islamic ceramics, each piece tells a story of cultural heritage and artistic skill.

Chinese papier-mâché art, on the other hand, demonstrates the remarkable versatility of the medium. Papier-mâché, a technique involving the use of paper pulp and adhesive, has been employed in China for centuries to create a wide range of decorative objects. From delicate figurines to elaborate masks and decorative boxes, Chinese artisans have perfected the art of papier-mâché, showcasing their mastery in sculpting, painting, and intricate detailing.